The problem is…the active ones are even more expensive than the passive ones. The AEAR84‘s “pill-like” capsule design, closely resembles that of a large diaphragm condenser. Like most ribbons, the Royer R-121 Live's pattern is figure 8, its … For some reason, virtually all ribbon mics use figure-8 polar patterns. By using advanced materials and a blend of cutting edge and old-school, hand-build construction techniques, the R-121 is an extremely versatile and user-friendly ribbon mic that can stand up to the most demanding tasks. Patented Offset Ribbon Technology It would be for recording electric guitar, blending with a 57 mic. Royer went ahead and created a revolutionary new mic design to make it even easier for us. But that’s where the similarities end. It is perhaps the ONE and ONLY ribbon mic offering a hypercardioid design…making it the only viable option for dozens of recording situations unsuitable to any other ribbon mic on the market. The one-of-a-kind Royer SF-12 is actually a combination of TWO mics housed within a single body! But I suppose, since its a Royer…one option is really all we need, huh? I have and use a Fathead II (Active/Passive), a Royer 121, an Audix i5, a Shure SM57 and a Telefunken M81. Standard Delivery Times. Percussion Instruments Output Connector: Male XLR 3 pin (Pin 2 Hot) Because it’s undoubtably the most famous ribbon mic on the planet. Sensitivity: -47 dBv Re. Royer Labs R-121. Frequency Response: 30 -15,000 Hz +/- 3dB And we want nothing more than a new toy to spice things up. Rated Load Impedance: >1500 Ohms @ 300 Ohms The quoted frequency response is flat within around ±2dB from 30Hz to 15kHz, although these figures rather do the mic a disservice. Absence of high frequency phase distortion The R-121 gives all of the warmth and natural sound that experienced engineers have long turned to ribbon mics for, but in a compact, light-weight, high output and tough-as-nails package that was unheard of in a ribbon mic before the R-121. As a bonus…when you combine it with the similar Beyerdynamic M130, you have the perfect pair of ribbon mics for M/S recording. But for someone who has never even used a ribbon mic before…that’s a tough sell, isn’t it? Generating Element: 2.5-micron aluminum ribbon Surprisingly, there are VERY FEW alternatives. Luckily for us, its reviews are almost universally positive as well. Magnets: Rare Earth Neodymium With the SF-12, you just plug and play. Back when Royer Labs first built the Royer 122, it was the FIRST EVER ribbon mic with active electronics. In any versatile collection of ribbon mics…this one is a MUST-HAVE. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. Now the CR-14 might be tops among affordable passive ribbon mics…, But in the active category, there’s no better deal than…. Output Impedance: 300 Ohms @ 1K (nominal) Consistent frequency response regardless of distance, Electric Guitar Amps Woodwinds Brass Instruments Most are $1000 and up. Even folks new to ribbon mics have likely heard of it before. Listen to More Samples in the Audio/Video Library, High SPL Capabilities We did away with the large, heavy, fragile “classic” approach to ribbon microphones and went in a completely new direction. String Instruments & Sections The R-121 redefined ribbon microphones so completely that Recording Magazine wrote: “…the Royer R-121 is destined to become one of the classic microphones of the 21st century.”. 65% of the time the 121/57 combo nails it. A shiny new ribbon mic could be just the answer you’ve been looking for. Ribbon Mic Shootout: AEA N22 vs Royer R-121 on Guitar, Drums … It’s an especially popular microphone for vocals…despite being intended more a multi-purpose mic. If a reliable, great sounding mic, with a classic vintage look is what you’re after, I highly recommend it. I actually do not like the i5 with 121 … The Royer 121 is ALWAYS my goto mic other than a dynamic (57 or 402) - words cant really describe what it offers, dynamics pick up a lot of the mid/uppermids, and the royer does the … The Royer R-121 Live is a live-sound specific version of the radically redesigned ribbon microphone and Royer's flagship product, the R-121. If you can afford it, there’s no ribbon mic I recommend more than this one. Gain Conventional ribbon microphones need high-quality, high-gain microphone preamplifiers to record softer sound sources. No more fiddling around with two separate mics. Luckily for us, Beyerdynamic M160 is here to save the day. Maximum SPL: >135dB @ 20 Hz You should also check out the Royer 122 – (Amazon/B&H/GuitarC/MusicianF/Thomann) which is the newer active version of the 121. Now, I know we’ve seen quite a few Royer Mics already…, But for this next pick, I’d like to share just ONE MORE…, Recognizing that ribbon mics are extremely popular for stereo recording…. Kick Drum Released in 1998, the award-winning R-121 is our flagship microphone; the world’s first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. £1,211 Add to Basket: 15% bought beyerdynamic M160: £411: 14% bought the t.bone RB 500: £88: 7% bought the t.bone RB 100: £61: 7% bought Royer Labs R-10: £489: Our most popular Ribbon Microphones: Related Products. The review model had a burnished-satin nickel finish although a matt-black chrome alternative is also available. To help you choose one, in this post I share with you my list of: The 7 Absolute Best Ribbon Mics for Home Recording. As it turns out…one of the only mics commonly sold as a matched pair is the Royer 101’s. Like many of the best classic ribbon mics, the R-121 has a figure-8 pattern, output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. Those are pretty much my choices when recording guitar cabinet. Lucky for us, there’s the Avantone Audio CR-14. Available immediately. Anyone have any suggestions for alternatives to the Royer 121 that aren't quite as expensive. The technical specifications are impressive, especially when compared to the ribbon mics of yesteryear! AEA R84. Ribbon element is not affected by heat or humidity It’s an integral piece of the magic of all Royer R-series microphones. Commercial Broadcast, Acoustic Operating Principle: Electrodynamic pressure gradient Like most ribbon mics, it has a standard figure-8 polar pattern, which for vocals, can work especially well for singing duets. Dimensions: 155.7mm L, 25mm W (6.13" L, 1" W) Weight: 244g (8.6 oz) Finish: Dull Satin Nickel/Matte Black Chrome optional, Home Recording - Royer Labs R-121 Ribbon microphone - A Mic For All Seasons by David Darlington, Vintage Guitar - R-121 Ribbon Microphone by Steve Patt, Tape Op - R-121 Ribbon Microphone  by Steve Albini, Sound on Sound - Funky Ribbon - Royer R-121 Studio Ribbon Microphoneby Hugh Robjohns, Electronic Musician - Electronic Musician - Editors Choice Award January 2000, Microphone (ribbon), Recording Magazine - Royer R-121 Ribbon Microphone - What Went Around Has Come Around Again by DaviMoulton, Pro Audio Review - Royer R-121 Ribbon Microphone by Russ Long, Electronic Musician - Royer Labs R-121 - A New Ribbon Mic Ups The Ante On A Classic Design by Myles Boisen, © 2020 Royer Labs • 2711 Empire Ave., Burbank CA, 91504 • 818.847.0121, Recording on the back of the R-series microphone.